ONTOMATERIA

Meet the Artists Behind Ontomateria

On Sunday, 30 November at 11:00 AM, I’ll be joining an intimate artist panel talk at Verduyn Gallery alongside the other participating artists — @studiostephanballeux, @ileanamoro_, @alexandraleyremein, and @marius_ritiu.

Together, we’ll discuss our practices and the ideas behind the exhibition Ontomateria, followed by an open Q&A session where visitors are invited to ask questions and join the conversation.

After the talk, guests are warmly welcome to stay for drinks in the garden with the artists.

The event is free to attend, but places are limited, so registration is required.

To reserve your spot:
Email projects@verduyn.gallery with your name and the number of guests you’ll be attending with.

This Is Not A Flag

Artwork On The Art Wall Of UZ Brussels

Until the end of June 2025, the artwork This is not a flag by artist Maryam Najd can be admired on the Art Wall in the entrance hall of the UZ Brussels Hospitalizations. This installation is part of her ongoing project, The Non-Existence Flag Project, and conveys a powerful message of unity that transcends borders and ideologies. The UZ Brussels showcases a different artwork on the art wall every three months.

Maryam Najd, who is of Iranian descent, draws upon her personal experiences as an immigrant in her work. She left her homeland years ago and has since frequently faced nationalistic judgments and prejudices, largely due to her Iranian nationality and the associated symbolism. These experiences have inspired her artistic quest for a world without borders.

Through the Non-Existence Flag Project, Najd explores how national flags—often charged symbols of power and ideology—can be reduced to abstract forms. She questions their significance and presents an alternative, peaceful vision in contrast.

"Flags are powerful signs of identity, but they can also incite polarization and conflict," the artist explains.

Flags as Color, Not as Borders

For this installation, Najd utilized the flags of 193 countries that are members of the United Nations, supplemented by a few observers such as Palestine, the Holy See, Taiwan, and Kosovo. The flags are displayed on 50 wooden panels, each arranged alphabetically with four countries per panel.

Each country was assigned a unique color, achieved by blending the original colors of the flags into a single hue, where color represents a vision of a boundless and harmonious world united in peace. This results in a new, abstract visual language in which the world is no longer divided by symbolism but united by color.

"With This is not a flag, UZ Brussel once again opts for an artwork that combines social engagement with aesthetics. The theme of connectedness and universal humanity closely aligns with the hospital's mission. UZ Brussel provides care without distinction and is there for everyone," said Luk Lambrecht, art curator of UZ Brussel.

About Maryam Najd

Maryam Najd is a Belgian-Iranian visual artist who lives and works in Antwerp. Her work is heavily influenced by her migration history and explores themes such as identity, gender, politics, and religion. Najd is known for her critical reflections on symbolism and power, often translated into abstract and conceptual art forms.

MONOCULTURE | A Recent History

MONOCULTURE | A Recent History- Curated by Nav Haq

25 September 2020 - 24 January 2021, Muhka, Antwerp

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The Clown Spirit- Curated by Jonna De Vos

16 October 2020- 27 December 2020, De Rossaert, Antwerp

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Beijing

BOTANIC- National Amalgamation project

I had the opportunity to hold an exhibition at the Arthur M. Sackler Museum of Art and Archaeology in Beijing. Read all about it in the article featured in studiointernational.com

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Kontrapunt #2

Kontrapunt is a project which accumulates a discussion about the issues that are not efficiently and widely used and recognized in every society.
“As we know there are many societies that cannot agree with the freedom of expression but here in Belgium and generally in Europe we have a better situation than the rest of the world. I would like to take a benefit of this position by organizing an exhibition, which shows to the public, the power of art in opposition to censorship and control. Freedom of expression is essential to the Arts. It needs to be actively sustained at the heart of the artistic practice and mission, or it risks being undermined and diminished by the conflict of interests. Throughout history works of art have been altered, silenced and even erased due to unacceptable content, whether the motivations for censorship were religious, social or political. Yet artists have long pushed boundaries of “offensive” through their imagery and content, presenting everything... Therefore, for the second edition of Kontrapunt, I would like to display the Artworks that ‘could be’ prohibited or banned not necessarily in Europe but other parts of the world.”

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Participating artists: Anne-Mie Van Kerckhoven (BE), Danny
De Vos (BE), Christine Clinckx (BE), Charif Benhelima (BE/ MR), Mekhitar Garabedian (SY), Maryam Najd (IR).


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Today in De Standaard

Today "Mediterranean Blanket I" is mentioned in De Standaard. My work amongst others from female artists is acquired by Collection Flemish Community. Many tanks minister of culture Sven Gatz for your support!

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Dez Mona — Book of many

Golden Boy Under Fire.
This is the image of Gregory Frateur, frontman of the band Dezmona. I have created a piece of work front and back for their new album Book of Many to be released in February 2019.

This is the cover of the album. The original front and back painting is 80x60cm — oil on canvas.

Named after Othello's wife in Shakespeare's tragedy, Belgian outfit Dezmona combine jazz, gospel, classical, and French chansons to produce a sound that's been compared to the likes of Nina Simone, Anthony & the Johnsons and Tom Waits. Formed in 2003 by vocalist Gregory Frateur and Nicolas Rombouts. 
http://www.dezmona.com

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